The Seymour Duncan Slash LLT 2.0 Bridge Humbucker in Gold delivers the hotter output Slash demanded after years of touring with Guns N' Roses and Myles Kennedy and The Conspirators. This hand–wound bridge pickup builds on the legendary APH–2 formula with increased drive and compression while retaining the clarity and tonal character that defined classic albums. The 9.38k DC resistance pairs with Alnico 2 rough cast magnets to push amplifiers harder without sacrificing articulation across high–gain rhythm work and singing lead tones.
Hand built in Santa Barbara using 1980s–era construction methods, this humbucker features a nickel silver bottom plate, maple spacer, paper tape, and wax potting for authentic vintage voicing with modern reliability. The 4–conductor cable enables coil splitting, series/parallel wiring configurations, and phase switching options that standard single–conductor designs can't accommodate. Short ear mounting legs provide direct installation compatibility across a wider range of guitar body designs compared to traditional long–leg humbuckers, while the gold cover adds visual distinction to loaded pickguards and routed bodies.
The LLT designation indicates these pickups are wound to order in the USA, adding approximately three to four weeks to standard delivery timescales. This made–to–order approach ensures each unit receives the same hand–wound attention Seymour Duncan applied to Slash's original prototype sets, maintaining consistency across touring rigs and session guitars. The result balances increased volume and saturation with the harmonic response and dynamic range required for everything from controlled rhythm crunch to sustaining lead passages that cut through dense stage mixes.
Features
- Bridge position passive humbucker with 9.38k DC resistance
- Alnico 2 rough cast magnets for warm midrange character
- 4–conductor wiring enables coil splitting and series/parallel configurations
- Short ear mounting legs for direct installation compatibility
- Nickel silver bottom plate with maple spacer and paper tape
- Wax potted to eliminate microphonic feedback at high gain
- Hand wound in Santa Barbara, USA using 1980s construction methods
- Gold cover finish with made–to–order LLT production timescale



