Born from a legendary collaboration between synthesiser pioneers Dave Smith and Tom Oberheim, the OB-6 Desktop Module brings the massive, in-your-face sonic signature of classic Oberheim synthesisers into a compact, backpack-friendly format. This analogue powerhouse features the same comprehensive control layout as its keyboard counterpart, with full-sized knobs and switches providing immediate access to all parameters. The module maintains the complete analogue signal path with discrete voltage-controlled oscillators and filters, whilst adding modern enhancements like studio-quality digital effects and poly chain capability for twelve-voice polyphony when paired with another OB-6.
At its heart lies a sound engine inspired by Tom Oberheim’s original SEM, featuring two discrete VCOs plus sub-oscillator per voice with continuously variable waveshapes including sawtooth, variable-width pulse, and triangle waves. The classic 2-pole, state-variable, resonant filter offers low-pass, high-pass, band-pass, and notch functionality, whilst voltage-controlled amplifiers complete the fully analogue signal path. The dual effects section provides 24-bit, 48 kHz digital processing with true bypass, including reverbs, delays, chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator.
Creative possibilities expand through X-Mod functionality, allowing dramatic sound manipulation via filter envelope and oscillator 2 modulation sources with bi-polar control over multiple destinations. The polyphonic step sequencer accommodates up to 64 steps with 6 notes per step, whilst the full-featured arpeggiator syncs to external MIDI clock. With 500 factory programs, 500 user programs, and Manual mode for live panel control, the OB-6 Desktop Module combines legendary analogue tone with modern functionality in a portable package perfect for both studio and stage applications.
- Two discrete VCOs per voice
- Continuously variable wave shape per oscillator
- Pulse width per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Square wave sub-octave generator (oscillator 1) per voice
- Low frequency mode (oscillator 2)
- Keyboard tracking on/off (oscillator 2)
- Oscillator detune amount for increased tuning instability, from subtle to extreme
- Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch
- Seperate four-stage (ADSR) envelope generator for Amp and Filter
- LFO; Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Mod destinations: osc 1 frequency, osc 2 frequency, osc 1 and 2 pulse width, filter cutoff, filter mode, amp
- Cross Modulation
- Arp: Up, down, up/down, random, and assign modes. one, two, or three octave range
- Polyphonic step sequencer up to 64 steps and rests
- Stereo analog distortion
- Dual, 24-bit, 48 kHz digital effects
- Unison (monophonic) mode with configurable voice count
- Manual switch: when on, the front panel is live; what you see is what you hear
- 500 user and 500 factory programs in 10 banks of 100 programs each
- Left/mono and right audio outputs (2 x 1/4” phone jack)
- MIDI in, out, and thru ports
- USB for bidirectional MIDI communication
- 52.0 cm x 19.8 cm x 11.2 cm



