The LS-208 breaks new ground as a noise-rejecting large diaphragm condenser microphone that combines the familiar end-address design of classic dynamic mics with the superior fidelity and flexibility of modern condenser technology. Built for live, recording and broadcast applications, this high-performance microphone handles an impressive 135dB SPL without requiring internal padding, making it exceptionally suited to extremely loud and dynamic sound sources whilst maintaining astonishingly natural, life-like reproduction.
What sets the LS-208 apart is its remarkable versatility in multi-instrument recording scenarios. Its superior off-axis noise rejection allows you to record guitars, drums, horns and vocals simultaneously in the same room with excellent isolation and sound quality. The microphone serves as a powerful drop-in replacement for traditional end-address dynamic microphones, capturing vocals with intimate clarity, drums with explosive impact, and guitar amplifiers with unprecedented depth and realism.
Two dedicated onboard filters provide immediate analog sound-shaping at the source, eliminating the need to swap microphones mid-session. Switch between capturing a tight, bright snare drum or a dark, sultry vocal performance instantly. The LS-208’s signal path features hand-populated, high-resolution components including low-distortion polypropylene capacitors and resistors, a USA-made FET, and a custom wound output transformer, resulting in natural, true-to-life sound with exceptional isolation and transient response.
- Natural, studio quality sound on any source
- Excellent off axis rejection
- 135dB of dynamic range
- Internally shock mounted condenser element
- Versatile sound shaping with two onboard filters
- Ideal for Electric guitar, Broadcast, podcast, and voiceover, Snare and Toms, Male and female vocals, Extremely loud sound sources, and use in untreated rooms
- Includes LS-208, Shock Mount, Adjustable Hard Mount, Foam Windscreen, and Flight Case



